In Korg’s quest to become the one-stop-shop for all synth needs, the “Logue” series encompasses the analogue(-hybrid) keyboard synths. The Minilogue is a true four-voice analogue polysynth. Is this really a proper polysynth at a great price, or just another toy synth with four voices?
I did some research aka goofing around with Komplete, the Semimodulars, and the context of Cubase. This is the resultRead more "“Knödel die die Welt bedeuten” – Production Techniques"
Combing the newly-acquired DFAM with the 0-Coast, the Doepfer beauty case, the Minibrute, a small mixer and two multifx stompboxes. That’s all there is to it. Last weekend: This weekend: Lessons Learned: Lessons learned: if you combine a Doepfer envelope on minimum attack with the (notoriously fast) Moog sequencer and multiply them, then an […]Read more "“Spielsachen” – Two Videos of (Semi-)Modular Action"
Following the current (semi-)modular trend, Moog has expanded their lineup with the Drummer From Another Mother: a combo of a sequencer and some sound sources aimed at drums and grooves – or is it?Read more "Review: Moog DFAM"
Over 500 bucks for a single-oscillator synth module without even a filter – are you nots? No, I’m not. See what’s so great about the Make Noise 0-CoastRead more "Review: Make Noise 0-Coast"
A few days ago, my Sixtrack started to act up. So what to do? Maybe get a recplacement? So two things caught my attention. Korg’s Minilogue and the Dreadbox Abyss. Both four-voice polyphonic analogue things. So I went to a music store and played them. A Superficial Review? I didn’t read any manual, nor did […]Read more "Superficial Review: Dreadbox Abyss, Korg Minilogue"
So I wanted to make a synth velocity-sensitive. More specifically, an analogue synth, and retain a fully analogue audio signal chain (because I have a project in mind for which that is important). In my setup there’s two analogue synths which I had in mind for that project: the Arturia MiniBrute, and the Korg Volca […]Read more "Making a Synth velocity-sensitive"