This is a tricky one. Do I like it, or rather not? I’m not so sure. To find out why that is, you’ll have to read on.
I finally took the time to deep-dive the Squarp Hermod Eurorack sequencer a little. Are you interested in this one? You should be!Read more "Review: Squarp Hermod"
There’s maybe no other manufacturer who has received as much bashing as Behringer has. Ranging from “they took our jobs” over “crappy and for kids” to “even if it’s good, it makes my heart cry”. That last comment was targeted at Behringer’s DeepMind analogue polysynth, which takes not just a little bit of inspiration from […]Read more "Review: Behringer Neutron"
In Korg’s quest to become the one-stop-shop for all synth needs, the “Logue” series encompasses the analogue(-hybrid) keyboard synths. The Minilogue is a true four-voice analogue polysynth. Is this really a proper polysynth at a great price, or just another toy synth with four voices?Read more "Review: Korg Minilogue"
Following the current (semi-)modular trend, Moog has expanded their lineup with the Drummer From Another Mother: a combo of a sequencer and some sound sources aimed at drums and grooves – or is it?Read more "Review: Moog DFAM"
Over 500 bucks for a single-oscillator synth module without even a filter – are you nots? No, I’m not. See what’s so great about the Make Noise 0-CoastRead more "Review: Make Noise 0-Coast"
A few days ago, my Sixtrack started to act up. So what to do? Maybe get a recplacement? So two things caught my attention. Korg’s Minilogue and the Dreadbox Abyss. Both four-voice polyphonic analogue things. So I went to a music store and played them. A Superficial Review? I didn’t read any manual, nor did […]Read more "Superficial Review: Dreadbox Abyss, Korg Minilogue"